So this cryptic Arabic-looking writing was discovered on the undercarriage of Southwest Airlines 737 jets. It was only discovered once the engines were turned on and the plane’s belly was warmed up, as the writing was done in “invisible paint”:
In a statement to KNX 1070 radio, Southwest said it is working with authorities to uncover who was behind the ‘vandalism’, but added that currently it is not clear how many people are involved.
Southwest also said the writings did not imply any safety issues.
Despite an FBI investigation into the writings, the trend has increased in recent weeks.
The “writing” looks more like the cave paintings of Altamira though not as cute. And why is it so difficult to translate? Does no one in the FBI read Arabic? Or did they scare all the Arab speakers off? Are we certain it even is Arabic? It could just be gibberish that some knothead assumed was Arabic because it was secret and menacing (for that matter, it could have been a teacher’s note; I do believe I can make out the word “boisterous,” which I used to get a lot).
If it does turn out to be a prank by some brain-damaged employee, I dare say the union will come to his defense and negotiate a nice severance package.
What is truly indefensible, though, were last night’s episodes of The Office and the debut of Whitney. Now The Office was already past its sell-by date, but making Andy Bernard the office manager and — Ta Da! — Robert California some now-you-see-him-now-you-don’t CEO figure was obviously the result of gag fatigue. (I hope they intend to make better use of James Spader than they did last night.)
Maybe they should really go out with a bang and end the season, and the series, with a Christmas special. Or maybe a Halloween special. Or maybe in mid-episode next week. (A for-real preggers Jenna Fischer looks like she’d rather be anywhere but on that set anymore, like she’d be happy to just pack up her grip and walk off the set, get into her car, and drive off the lot, as those mockumentary cameras follow her down Wiltshire Blvd.)
As for Whitney, the commercials we were bombarded with throughout August looked like we could be in for some Laverne Di Fazio-type wackadoodle mayhem, with just a touch of Dharma & Greg and updated for the 21st century. It turned out to be another sex-obsessed drone of a witless piece of crap bomb with characters who could not die fast enough. Talk about trying too hard. And what exactly it was they were trying to do in the first place is a question that would make the Oracle cry. (A French maid’s getup? Really? You do know that the French make you clean up after yourself now, don’t you?)
But don’t let that stop you from watching it. I don’t want to influence you.
I was also disappointed with my much-beloved Big Bang Theory. The writers are beginning to rehash a lot of the same gags and scenarios, and the bed-play banter is taking on an increasingly Two and a Half Men tone, which is never good. Also, the endless “Will Penny and Leonard finally get back together?” business is beyond tired: its moribund. And Penny’s hemorrhoid commercial? That joke was stale in 1983.
Some concepts have only so much yuck in them. It’s easy to forget how difficult it is to keep material fresh given how long American TV seasons are, compared with, say, Britcom “series.” The IT Crowd, another A-fave, is six episodes and done, whereas American shows have 22 episodes a year to churn out, so is it any secret why they begin to feel assembly line-ish?
I DVR’d Parks & Recreation. Here’s hoping for better news on that front.
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